FROM THE VAULT- BITCH! [ O.T.O.M.A.G- Str8 Up Killaz ] (Produced by Pimp)

This joint is coming from out the vault, my brothers, Wooden Souljah, Meat Da Butcher & B-Gudda- Str8 Up Killaz. Yeah this is some hard shit so parental and bitch ass nigga advisory... Hey, I'ma make a picture like that, Bitch ass nigga advisory... Produced by Pimp.

Listen & Download STR8 UP KILLAZ MP3 file

Council- I Like Girls

This one right here is banger. One of my favorite tracks. Download it for free here:
 

Click here to download COUNCIL- I LIKE GIRLS MP3 here

New Track: Kamikaze from the new album!

Check out my new joint Kamikaze. On my rocker shit with this one. Real talking in it though. My new album, The Inauguration drops in 2 weeks. What do y'all think

A Tip for all Aspiring Rappers: How Radio Works

Shout out to all the DMV stations in the area giving our artists oppurtunities. I just wanted drop a throwback article about getting radio plays and whatnot. It's a good read for all of us aspiring artists, hear me?

 How Radio works

by Mike King (Published Dec. 2007)
 

In a perfect world, radio stations across the country would play songs based simply on the merits of the songs themselves. In a perfect world, a major radio station in a major market could be solicited in the same fashion as a publicist solicits Rolling Stone, for example: by sending a package, making a follow-up call, and if the “deciders” (in the case of radio, the program directors) like what they hear, they would promote the record by playing it on air. Unfortunately this is not how large traditional radio stations work.

Traditional radio is (still) a big business, and there is a HUGE promotional vehicle behind any song you hear played on commercial radio. (commercial radio is a term used to describe the dominant form of radio in the US and several other countries, those that are broadcasting for profit.) The amount of money and resources it takes to get your music played on commercial radio during peak listening times makes it an unrealistic avenue to almost all independent artists and labels.

The good news is that there are a number of noncommercial traditional radio stations that are a completely viable outlet for a musician that does not have a spare $500,000 to drop on a commercial radio campaign. (noncommercial radio is a term used to describe those stations that are not funded by advertising, typically located on the left side of the radio dial.) Additionally, commercial stations often times have specialty shows that fall outside of the regular programming that are open to less expensive solicitation. Furthermore, the rise of online and satellite radio have further opened the doors to independent artists and labels, and provided another avenue for artists who aren’t on major labels to get national/international radio coverage.

Let’s take a step back and talk about what needs to be happening with your band before you consider radio support.

When Should You Consider Radio Support? 

Traditional terrestrial radio (as opposed to online radio, which has its own set of rules) should be the last consideration in an independent artist’s marketing campaign for a few reasons. First, it can be incredibly expensive. Second, there are fewer spots available to promote new artists than there are at other marketing outlets (like press, retail, online, and touring), which makes it incredibly difficult to get play during the time of day when folks actually listen to the radio (as opposed to placement at 3 a.m.). Third, and most importantly, radio is best used to support other efforts you already have in place—in particular, a tour.

For example, say you are a New York City-based band, and you’ve hired an indie radio promoter, and they’ve secured radio play at KUSF, a great noncommercial station in San Francisco. Without a tour in that market, without records in the stores in that market, and without press visibility, the radio play will not really do you much good. That being said, there are some folks (independent promoters, usually) that feel that radio play should come before a distribution deal, as it can be used as a “promotional ammunition” to sell the distributor or a label on the merits of your band. 

While there is some truth to this, distributors these days are just as impressed by a solid online community, great press, and a band that can draw a good amount of folks to their shows nationally. Radio on a national level is a more expensive and generally a less effective avenue if your goal is to impress distributors or label folks. A national radio campaign should not be considered the “magic bullet” to kick-start your career or marketing campaign. However, depending on where you are with your career, your fan base, and your general visibility, some degree of radio presence can help to propel your visibility into larger arenas.

NAPPY HEADED HOES DON'T GET PLAYED AT 3 PM.

What Else Should Be in Place Prior To Considering Your Radio Campaign?
To truly capitalize on a radio promotional campaign, both at noncommercial and commercial radio, it’s best to have your integrated marketing campaign running on all cylinders. Radio is designed to complement your other marketing efforts and make the listeners take action. To start, you’ll need to have your Web site up and optimized with tour dates, any press you’ve had, bio, etc.

If folks hear about you through a local specialty radio show and are intrigued, chances are they’ll search for you online. Again, touring, press, a distribution campaign, and most importantly a GROWING fanbase should also be in place before you undertake your radio campaign. It make the radio pitches a lot easier if you (or your radio promo indie, to be more specific) can point out that a buzz happening with your campaign—but you also need to have these other segments in place so that folks hear your music, find your music in stores, and find out where you’re playing,

In addition, if you do decide to undertake a radio promotion campaign, you are going to need to budget for creating and sending a number of promos (promotional copies) of your record to your target stations. This is a serious consideration for an artist on a limited budget.

____________________________________________________________________________________________________
This article was taken from Mike King’s online Music Marketing 201 course enrolling at www.berkleemusic.com

The Bulletproof Boomboxxx is Avaliable for FREE?! It must be X-mas...

The cover has me in front of a panoramic shot of my home city with a blunt in my mouth, bullets bouncing off of and coming towards my boomboxxx and a musical spaceship from Pluto coming down. These the things that being high does.

It's been out nearly a month and in total about 250 people have this first real album from me... Now in the big picture that's not a lot at all but I'm promoting it pretty much solo with no cash coming in or going out (this is one of those word of mouth deals, ya digs???) and honestly I'm just pleased that people take the time to listen to my shit. Well anyways, I'm reintroducing it for any of you newbies, so check it out. Actual thought went into this free project and I don't want anything but your ears (and ladies, maybe your rears... to shake to these tunes). This is, The Bulletproof Boomboxxx:

Listen on Datpiff
Free Download (.zip)

Check out my video for Kamikaze (and go see The Green Hornet, Jan 14)

Yeah moe, check me but please don't disrespect me. This is the video for Kamikaze (so far). Low budget, ghetto, shabby... call it what you will but don't forget to add inventive to the mix. You will notice my jaw is wired shut throughout the video but no I'm not imitating Mr. West. I decided whilst I was healing from a broken jaw of my own (Another story for another time) I'd might as well do something productive and learn video editing. It's my first time( not like the whole virginity thing, I didn't stick my dick in my laptop (and no my first time time I put my wee wee in a vagina not a computer- WOOOOOOOOOO!!! Fuck eHarmony. (I will get bashed for that but so what, bitch?). Also are clips from the upcoming movie The Green Lantern so make sure y'all take y'all asses to see dat jointand bootleg it for me (Sony can sue me for dat but as evidenced by the video they won't get much legitimate money from me- WOOOOOOO!!!!) So I hope y'all enjoy but if you don't let your voice be heard. What do you think?

Check out my latest street album: Thrillionaire @DatPiff.com

Download Mixtape | Free Mixtapes Provided by DatPiff.com

Check out my latest tape. The material is a compilation of tracks I've done from 2009- 2010. Not my best but not bad either. Let me know what y'all think.

Q: So what the f**k happened to Loud-Pack.com?

 A: I shut that shit down.

When I designed and launched www.loud-pack.com I had a vision which I discussed with a partner and it never panned out and I ended up basically re-running the same type of site for mainly my own use. So yeah, I killed it and launched this simple blog site to save those green guys that live in my pleather wallet and eliminate a lot of confusion. Yeah, it was a nice site but honestly, it barely had any traffic unless I dedicated big time to force feed it down people's throats. So welcome to the main site to see whats going on wit ya nigga. Hopefully in the future I can relaunch the site and have it be what is was intended to be.